This outrageous comedy stages a soap opera of epic proportions, as one corrupt property developer faces trial for Mexico's violent history. The fourth feature from Santiago Mohar Volkow, Una historia de amor y guerra centres on real estate baron Pepe Sánchez-Campo, whose mega-mall development brings him into conflict with local guerrillas. For once, bribery and a call to Daddy might not be enough to save Pepe – a character more grotesque than the telenovela unfolding around him. Trying to sabotage Pepe's marriage to Constanza, her cousin and lover Teo records Pepe cheating. The resulting chaos precipitates in a burlesque bloodbath involving treachery, talking animals, colonial history and bartering in the afterlife.

The orphaned Baudelaire children face trials, tribulations and the evil Count Olaf, all in their quest to uncover the secret of their parents' death.

After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).

French nuclear tests irradiate an iguana into a giant monster that viciously attacks freighter ships in the Pacific Ocean. A team of experts, including Niko Tatopoulos, conclude that the oversized reptile is the culprit. Before long, the giant lizard is loose in Manhattan as the US military races to destroy the monster before it reproduces and it's spawn takes over the world.

Follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species, thought to be mere myths, rise again, they all vie for supremacy, leaving humanity's very existence hanging in the balance.

The day before Soo-min’s big concert day, her college friends Won-ho, Sun-ki, Hong, and Jin-sook gather to celebrate Soo-min. Talking about their old memories and having fun seems like a happy moment of old friends. But soon when Soo-min leaves to the bathroom, Jin-sook starts a disturbing story about Soo-min that she has been sexually abused by her dad and brother after her mom’s death. As all friends are shocked, one by one starts to talk about Soo-min’s whole secrets as if they know everything about her without knowing Soo-min is overhearing their conversation. It drives Soo-min to the irrevocable revenge with secrets behind.

The day before Soo-min’s big concert day, her college friends Won-ho, Sun-ki, Hong, and Jin-sook gather to celebrate Soo-min. Talking about their old memories and having fun seems like a happy moment of old friends. But soon when Soo-min leaves to the bathroom, Jin-sook starts a disturbing story about Soo-min that she has been sexually abused by her dad and brother after her mom’s death. As all friends are shocked, one by one starts to talk about Soo-min’s whole secrets as if they know everything about her without knowing Soo-min is overhearing their conversation. It drives Soo-min to the irrevocable revenge with secrets behind.

Sam Born, an ambitious immigrant confectioner, unknowingly finds himself in the crosshairs of a ruthless turf war over the candy business in mid-century America.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.